|
50TH Anniversary Harmonia Mundi | 
| Creator: Harmonia Mundi Various Artists
Label: Ais
Category: Music
Buy Used: $199.99
as of 9/3/2010 13:22 PDT details
Seller: mkuang
Rating:  6 reviews
Sales Rank: 158353
Format: Box set, Enhanced, Import
Media: Audio CD
Discs: 30
Shipping Weight (lbs): 2.3
Dimensions (in): 5.3 x 5.3 x 5.2
UPC: 794881851225
EAN: 0794881851225
ASIN: B000VIFM1S
Release Date: October 9, 2007
Availability: Usually ships in 1-2 business days
| |
| Tracks:
Disc 1
| • | Mass for the parishes (Messe des Paroisses), for organ: Kyrie | | • | Mass for the parishes (Messe des Paroisses), for organ: Gloria | | • | Mass for the parishes (Messe des Paroisses), for organ: Offertoire | | • | Mass for the parishes (Messe des Paroisses), for organ: Sanctus | | • | Mass for the parishes (Messe des Paroisses), for organ: Benedictus | | • | Mass for the parishes (Messe des Paroisses), for organ: Agnus Dei | | • | Mass for the parishes (Messe des Paroisses), for organ: Deo gratias | | • | Medio Registro de Mano Derecha | | • | Pange Lingua a Tres Sobre Vajo for organ | | • | Salbe de Lleno for organ | | • | Tiento de Falsas de Quarto Tono for organ | | • | Tiento Lleno de Primer Tono for organ (attributed) | | • | Gaitilla de Mano Izquierda | | • | Tiento Sobre la Letania de la Virgen for organ | | • | Corrente Italiana |
Disc 2
| • | Toccata for organ No. 10 in D major (from Apparatus musico-organisticus, Part 2) | | • | Toccata for organ No. 2 in G minor (from Apparatus musico-organisticus, Part 1) | | • | Toccata for organ No. 9 (from Apparatus musico-organisticus, Part 2) | | • | Toccata for organ No. 7 (Apparatus Musico-Organisticus) | | • | Toccata for organ No. 3 (Apparatus Musico-Organisticus) | | • | Toccata for organ No. 12 (Apparatus Musico-Organisticus) | | • | Toccata for organ No. 5 (from Apparatus musico-organisticus, Part 1) | | • | Toccata for organ No. 1 in D minor (from Apparatus musico-organisticus, Part 1) | | • | Toccata for organ No. 8 (Apparatus Musico-Organisticus) | | • | Toccata for organ No. 11 (Apparatus Musico-Organisticus) | | • | Toccata for organ No. 4 (from Apparatus musico-organisticus, Part 1) | | • | Toccata for organ No. 6 (Apparatus musico-organisticus, Part I) |
Disc 3
| • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Overture...Air...Overture | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 1. Scene 2. Woden first to thee...Brave Souls...I call ye all | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 1. Scene 2. Come if you dare | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 2. Hither this way bend...Let not a Moon-born Elf...Hither this way...Co | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 2. How blest are Shepherds...Shepherd, leave Decoying...Hornpipe | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 3. Scene 2. Prelude...What ho | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 3. Scene 2. What Power art thou...Thou Doting Fool forbear...Prelude...S | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 3. Scene 2. Tis I, that have warm'd ye...Sound a Parley...Air |
Disc 4
| • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 4. Scene 2. Two Daughters | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 4. Scene 2. How happy the Lover-Fourth Act Tune | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Trumpet Tune: Ye Blust'ring Brethren | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Symphony...Song Tune: Round thy Coasts...For Folded Flocks | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Song Tune: Your Hay | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Fairest Isle | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. You say...This is not my passion...But one soft Moment | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Trumpet Tune: St. George | | • | King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Scene 2. Chaconne | | • | The Three Ravens, folk song | | • | Black Is the Color of My True Love's Hair, folk song | | • | Sweet nimphe, come to thy lover, madrigal for 2 voices | | • | I goe before, my darling, madrigal for 2 voices | | • | The Oak and the Ash (North Country Maid), folk song | | • | Barbara Allen, folk song | | • | The Ballad of Lord Randall, folk song | | • | The Water Is Wide, folk song | | • | The Tailor and the Mouse, folk song | | • | Down by the Salley Gardens, folk song | | • | I Will Give My Love an Apple, folk song | | • | Miraculous love's wounding, madrigal for 2 voices | | • | Sweet Kate | | • | Bushes and briars, folk song | | • | The Foggy, Foggy Dew, folk song | | • | She Moved through the Fair, folk song | | • | Evening Prayer |
Disc 5
| • | L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | | • | Messe de Saint Marcel: Introitus: Statuit ei Dominus | | • | Messe de Saint Marcel: Graduale: Inveni David servum meum; Verset: Nichil proficiet | | • | Messe de Saint Marcel: Alleluia - Versets: Disposui Testamentum. Inveni David | | • | Messe de Saint Marcel: Offertorium: Veritas mea; Versets: Posui adiutorium - Misericordia mea | | • | Messe de Saint Marcel: Communio: Domine quinque talenta tradidisti michi | | • | Vida (A chantar), for vocal ensemble: Vida | | • | Vida (A chantar), for vocal ensemble: A Chantar | | • | Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions | | • | Psalm 92: Dominus regnavit | | • | Benedicamus domino (ii) | | • | Domine deus meus (Berlin Mus. 40046, Quedlinberg) | | • | Mirabilis deus, brief responsory | | • | Cum vox sanguinis, hymn for Saint Ursula & her Companions | | • | O rubor sanguinis, antiphon for Saint Ursula & her companions | | • | Magnificat anima mea / O rubor sanguinis, canticle | | • | Te lucis ante terminum, hymn |
Disc 6
| • | Vasilissa ergo gaude, isorhythmic motet for 4 voices | | • | O sancte Sebastiane, isorhythmic motet for 4 voices | | • | O gemma, lux et speculum, isorhythmic motet for 4 voices | | • | Apostolo glorioso, isorhythmic motet for 5 voices | | • | Rite maiorem Jacobum, isorhythmic motet for 3 and 4 voices | | • | Ecclesie militantis, isorhythmic motet for 5 voices | | • | Balsamus et munda cera, isorhythmic motet for 4 voices | | • | Supremum est mortalibus, isorhythmic motet for 3 voices | | • | Nuper rosarum flores, isorhythmic motet for 4 voices | | • | Salve flos Tusce, isorhythmic motet for 4 voices | | • | Magnanime gentis, isorhythmic motet for 3 voices | | • | Fulgens iubar ecclesie, isorhythmic motet for 4 voices | | • | Moribus et genere, isorhythmic motet for 4 voices |
Disc 7
| • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 8. Blute nur, du | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 9. Aber am erste | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 10. Ich bin's, i | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 11. Er antwortet | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 12. Wiewohl mein | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 13. Ich will dir | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 14. Und da sie d | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 15. Erkenne mich | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 16. Petrus aber | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 17. Ich will hie | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 18. Da kam Jesus | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 19. O Schmerz! h | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 20. Ich will bei | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 21. Und ging hin | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 22. Der Heiland | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 23. Gerne will i | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 24. Und er kam z | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 25. Was mein Got | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 26. Und er kam u | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 27. So ist mein | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 28. Und siehe, e | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 29. O Mensch, be | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 1. Kommt, ihr To | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 2. Da Jesus dies | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 3. Herzliebster | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 4. Da versammlet | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 5. Du lieber Hei | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 6. Buß und Reu | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 1. No. 7. Da ging hin d |
Disc 8
| • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 30. Ach! nun ist | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 31. Die aber Jes | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 32. Mir hat die | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 33. Und wiewold | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 34. Mein Jesus s | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 35. Geduld, Gedu | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 36. Und der Hohe | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 37. Wer hat dich | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 38. Petrus aber | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 39. Erbarme dich | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 40. Bin ich glei | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 41. Das Morgens | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 42. Gebt mir mei | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 43. Sie heilten | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 44. Befiehl du d | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 45. Auf das Fest | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 46. Wie wunderba | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 47. Der Landpfle | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 48. Er hat uns a | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 49. Aus Liebe wi | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 50. Sie schrieen | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 51. Erbarm es Go | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 52. Können Träne | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 53. Da nahmen Kr | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 54. O Haupt voll | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 55. Und da sie i | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 56. Ja! freilich | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 57. Komm, süßes | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 58. Und da sie a | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 59. Ach, Golgath | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 60. Sehet Jesus |
Disc 9
| • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 61. Und von der | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 62. Wenn ich ein | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 63. Und siehe da | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 64. Am Abend da | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 65. Mache dich, | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 66. Und Joseph n | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 67. Nun ist der | | • | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Part 2. No. 68. Wir setzen u | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Ar | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Ar | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Ar | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Ar | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Ar | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'il Soggetto Reale. Largo | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'il Soggetto Reale. Allegro | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'il Soggetto Reale. Andante | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'il Soggetto Reale. Allegro | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon perpetuus (flûte, violon et continu | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium. 1. | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium. 2. | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium. 3. | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium 4. P | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium. 5. | | • | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: 6 Canones Diversi Super Thema Regium. 6. |
Disc 10
| • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 1 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 2 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 3 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 4 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Canon alla Ottava | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 5 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 6 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 7 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Canon all Duodecima in Contrapunto alla Qui | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 9 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 10 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Canon all decima [in] Contrapunto all Terza | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 8 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 11 | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 12 rectus | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 12 inversus | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus [13] rectus | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus [13] inversus | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Canon per Ayugmentationem in Contrario Motu | | • | Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Fuga a 3 Soggetti |
Disc 11
| • | Atys, opera, LWV 53: Prologue. Ouverture | | • | Atys, opera, LWV 53: Prologue. En vain, j'ai respecté | | • | Atys, opera, LWV 53: Prologue. Air pour les Nymphes de Flore | | • | Atys, opera, LWV 53: Prologue. La saison des frimats | | • | Atys, opera, LWV 53: Prologue. Air pour la Suite de Flore (Gavotte) | | • | Atys, opera, LWV 53: Prologue. Prélude pour Melpomène | | • | Atys, opera, LWV 53: Prologue. Air pour la Suite de Melpomène | | • | Atys, opera, LWV 53: Prologue. Ritournelle | | • | Atys, opera, LWV 53: Prologue. Menuet | | • | Atys, opera, LWV 53: Prologue. Reprise de l'Ouverture | | • | Atys, opera, LWV 53: Acte 1. Scène 1. Ritournelle. | | • | Atys, opera, LWV 53: Acte 1. 2. Atys, ne feignez plus | | • | Atys, opera, LWV 53: Acte 1. Scène 3. Allons, allons, accourez tous | | • | Atys, opera, LWV 53: Acte 1. Scène 4. Atys, est trop heureux | | • | Atys, opera, LWV 53: Acte 1. Scène 4. Un amour malheureux | | • | Atys, opera, LWV 53: Acte 1. Scène 5. On voit dans ces campagnes | | • | Atys, opera, LWV 53: Acte 1. Scène 6. Si l'hymen unissait | | • | Atys, opera, LWV 53: Acte 1. Scène 7. Mais déjàs de ce mont sacré | | • | Atys, opera, LWV 53: Acte 1. Scène 7. Entrée de Phrygiens | | • | Atys, opera, LWV 53: Acte 1. Scène 8. Second Air des Phrygiens | | • | Atys, opera, LWV 53: Acte 1. Scène 8. Prélude | | • | Atys, opera, LWV 53: Acte 1. Scène 8. Venez tous dans mon temple | | • | Atys, opera, LWV 53: Acte 2. Scène 1. Ritournelle...Qu'un indifférent est heureux | | • | Atys, opera, LWV 53: Acte 2. Scène 2. Prélude | | • | Atys, opera, LWV 53: Acte 2. Scène 2. Je veux joindre | | • | Atys, opera, LWV 53: Acte 2. Scène 3. Tu t'étonnes, Mélisse | | • | Atys, opera, LWV 53: Acte 2. Scène 3. Que les plus doux Zéphyrs | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Entrée des Nations | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Entrée des Zéphyrs | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Que devant vous | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Indigne que je suis | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Que devant vous (reprise) | | • | Atys, opera, LWV 53: Acte 2. Scène 4. Air des Zéphyrs (reprise) |
Disc 12
| • | Atys, opera, LWV 53: Acte 3. Scène 1. Ritournelle. Que servent les faveurs | | • | Atys, opera, LWV 53: Acte 3. Scène 2. Peut-on ici parler | | • | Atys, opera, LWV 53: Acte 3. Scène 3. Le plus juste parti. Scène 3 | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Prélude...Dormons, dormons tous | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Prélude | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Ecoute, écoute, Atys | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Que l'Amour a d'attraits | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Goûte en paix | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Trop hereux un amant | | • | Atys, opera, LWV 53: Acte 3. Scène 4. Garde-toi d'offenser | | • | Atys, opera, LWV 53: Acte 3. Scène 4. L'amour qu'on outrage | | • | Atys, opera, LWV 53: Acte 3. Scène 5. Venez à mon secours. Scène 6 | | • | Atys, opera, LWV 53: Acte 3. Scène 7. Qu'Atys dans ses respects | | • | Atys, opera, LWV 53: Acte 3. Scène 8. Ritournelle...Espoir si cher et si doux | | • | Atys, opera, LWV 53: Acte 4. Scène 1. Vous pleurez! | | • | Atys, opera, LWV 53: Acte 4. Scène 2. Prélude | | • | Atys, opera, LWV 53: Acte 4. Scène 2. Belle nymphe. Scène 3. | | • | Atys, opera, LWV 53: Acte 4. Scène 4. Ritournelle. Qu'il sait peu son malheur | | • | Atys, opera, LWV 53: Acte 4. Scène 4. Je jure / Je promets | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Prélude. O vous qui prenez part | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Que l'on chante | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Gavotte. La beauté la plus sévère | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Menuet. L'hymen seul ne saurait plaire | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Menuet. Une constance extrême | | • | Atys, opera, LWV 53: Acte 4. Scène 5. Gavotte. Un grand calme | | • | Atys, opera, LWV 53: Acte 4. Scène 6. Venez former |
Disc 13
| • | Atys, opera, LWV 53: Acte 5. Scène 1. Ritournelle | | • | Atys, opera, LWV 53: Acte 5. Scène 1. Vous m'ôtez Sangaride | | • | Atys, opera, LWV 53: Acte 5. Scène 2. Venez vous livrer | | • | Atys, opera, LWV 53: Acte 5. Scène 2. Toi qui portes partout | | • | Atys, opera, LWV 53: Acte 5. Scène 3. Ciel | | • | Atys, opera, LWV 53: Acte 5. Scène 3. Atys lui-même | | • | Atys, opera, LWV 53: Acte 5. Scène 4. Quoi! Sangaride est morte! | | • | Atys, opera, LWV 53: Acte 5. Scène 5. Je commence à trouver | | • | Atys, opera, LWV 53: Acte 5. Scène 6. Il s'est percé le sein | | • | Atys, opera, LWV 53: Acte 5. Scène 6. Ritournelle | | • | Atys, opera, LWV 53: Acte 5. Scène 6. Venez, furieux Corybantes. Scène dernière | | • | Atys, opera, LWV 53: Acte 5. Scène dernière. Entrée des Nymphes | | • | Atys, opera, LWV 53: Acte 5. Scène dernière. Première Entrée des Corybantes | | • | Atys, opera, LWV 53: Acte 5. Scène dernière. Seconde Entrée | | • | Atys, opera, LWV 53: Acte 5. Scène dernière. Que le malheur d'Atys | | • | La Gamme en forme de petit opéra, for violin, viola da gamba & continuo in C major |
Disc 14
| • | Pianto della Madonna, sacred song for voice & continuo (from Selva morale e spirituale), SV 288 | | • | Mystery Sonata, for violin & continuo No. 1 in D minor ('The Annunciation'), C. 90: Præludium | | • | Mystery Sonata, for violin & continuo No. 1 in D minor ('The Annunciation'), C. 90: Aria, Variatio | | • | Mystery Sonata, for violin & continuo No. 1 in D minor ('The Annunciation'), C. 90: [Finale] | | • | Mystery Sonata, for violin & continuo No. 2 in A major ('The Visitation'), C. 91: Sonata | | • | Mystery Sonata, for violin & continuo No. 2 in A major ('The Visitation'), C. 91: Allamanda | | • | Mystery Sonata, for violin & continuo No. 2 in A major ('The Visitation'), C. 91: [Finale] | | • | Mystery Sonata, for violin & continuo No. 3 in B minor ('The Nativity'), C. 92: Sonata | | • | Mystery Sonata, for violin & continuo No. 3 in B minor ('The Nativity'), C. 92: Courente, Double | | • | Mystery Sonata, for violin & continuo No. 3 in B minor ('The Nativity'), C. 92: [Finale] | | • | Mystery Sonata, for violin & continuo No. 4 in D minor ('The Presentation'), C. 93 | | • | Mystery Sonata, for violin & continuo No. 5 in A major ('Jesus in the Temple'), C. 94: Præludium | | • | Mystery Sonata, for violin & continuo No. 5 in A major ('Jesus in the Temple'), C. 94: Allamanda | | • | Mystery Sonata, for violin & continuo No. 5 in A major ('Jesus in the Temple'), C. 94: Gigue | | • | Mystery Sonata, for violin & continuo No. 5 in A major ('Jesus in the Temple'), C. 94: Sarabanda, Double | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Stabat mater dolorosa. Largo | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Cujus animam gementem. Adagio | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: O quam tristis. Andante | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Quis est homo. Largo | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Quis non posset. Adagio | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Pro peccatis suae gentis. Andante | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Eja mater, fons amoris. Largo | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Fac ut ardeat. Lento | | • | Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Amen. Allegro |
Disc 15
| • | Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17: Sonata & Coro. | | • | Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17: Rezitativo & A | | • | Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17: Rezitativo & A | | • | Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17: Rezitativo. Di | | • | Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17: Adagio. Schlaf | | • | Suite for harpsichord No. 3 in D minor (Pièces de Claveçin): Prélude non mesuré | | • | Suite for harpsichord No. 3 in D minor (Pièces de Claveçin): Allemande | | • | Suite for harpsichord No. 3 in D minor (Pièces de Claveçin): Courante | | • | Suite for harpsichord No. 3 in D minor (Pièces de Claveçin): Sarabande grave | | • | Suite for harpsichord No. 3 in D minor (Pièces de Claveçin): Gigue | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Prélude non mesuré | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Allemande | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Courante | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Sarabande | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Gigue | | • | Suite for harpsichord No. 1 in G major (Pièces de Claveçin): Chaconne en rondeau | | • | Suite for harpsichord No. 2 in G minor (Pièces de Claveçin): Prélude non mesuré | | • | Suite for harpsichord No. 2 in G minor (Pièces de Claveçin): Allemande | | • | Suite for harpsichord No. 2 in G minor (Pièces de Claveçin): Courante | | • | Suite for harpsichord No. 2 in G minor (Pièces de Claveçin): Sarabande | | • | Suite for harpsichord No. 2 in G minor (Pièces de Claveçin): Gigue | | • | Suite for harpsichord No. 4 in D major (Pièces de Claveçin): Tombeau de M. de Chambonnières | | • | Suite for harpsichord No. 4 in D major (Pièces de Claveçin): Chaconne en rondeau |
Disc 16
| • | En me revenant, for lute (from Lord Herbert of Cherbury's Lute Book) | | • | Courante (from Lord Herbert of Cherbury's Lute Book) | | • | Courante Son Adieu (from Lord Herbert of Cherbury's Lute Book) | | • | Courante sur J'avois brisé mes fers Daniel (from Lord Herbert of Cherbury's Lute Book) | | • | Chacogne | | • | Filou | | • | Prelude for lute | | • | Fantasie for lute | | • | A Galliard upon a Galliard by John Dowland, for lute (App. 2 from Selected Works for Lute) | | • | Pavin for lute | | • | Almaine for lute (from Lord Herbert of Cherbury's Lute Book) | | • | Fantasia | | • | Fantasia sopra La canzon degli uccelli | | • | Work(s): Fantasia | | • | Work(s): Fantasia | | • | Fantasia for lute (from Lord Herbert of Cherbury's Lute Book) | | • | Ballet | | • | Courante | | • | Courante sur le courante de Perrichon | | • | Sarabande | | • | Work(s): Fantasia | | • | Sarabande for lute | | • | Pavin, for lute | | • | Work(s): Courante | | • | Work(s): Courante | | • | Work(s): Courante | | • | La jeune fillette, for lute (No. 41 from Selected Works for Lute) | | • | Pavan of the composition of mee for lute |
Disc 17
| • | Barca di Venetia per padova, for 5 voices: L'umor svegliato | | • | Barca di Venetia per padova, for 5 voices: Strepito di Pescatori | | • | Barca di Venetia per padova, for 5 voices: Parone di barca e Ninetta | | • | Barca di Venetia per padova, for 5 voices: Barcaruolo à passaggieri | | • | Barca di Venetia per padova, for 5 voices: Libraio Fiorentino | | • | Barca di Venetia per padova, for 5 voices: Maestro di musica Luchese | | • | Barca di Venetia per padova, for 5 voices: Cinque cantori in diverse lenguaggi | | • | Barca di Venetia per padova, for 5 voices: Venetiano e Thedesco | | • | Barca di Venetia per padova, for 5 voices: Madrigale affettuoso | | • | Barca di Venetia per padova, for 5 voices: Madrigale capriccioso | | • | Barca di Venetia per padova, for 5 voices: Mattinata in dialogo | | • | Barca di Venetia per padova, for 5 voices: Dialogo | | • | Barca di Venetia per padova, for 5 voices: Mercante Bresciano et Hebrei | | • | Barca di Venetia per padova, for 5 voices: Madrigale alla Romana. (Stile del Marenzio Romano) | | • | Barca di Venetia per padova, for 5 voices: Madrigale alla Napolitana. (À imitatione del Spano Napolitano) | | • | Barca di Venetia per padova, for 5 voices: Prima Ottava all'improvviso nel liuto | | • | Barca di Venetia per padova, for 5 voices: Seconda Ottava all'improvviso nel liuto | | • | Barca di Venetia per padova, for 5 voices: Aria à imitatione del Radesca alla Piamontese | | • | Barca di Venetia per padova, for 5 voices: Barcaruoli procaccio e tutti al fine | | • | Barca di Venetia per padova, for 5 voices: Soldato svaligiato | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Ouverture | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Courante | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Gavotte en rondeau | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Branle | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Sarabande | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Fantasie | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Menuet 1 - Menuet 2 | | • | Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2: Rossignol | | • | Simphonie de Clavecins, for 2 harpsichords: Allegro moderato et marqué | | • | Simphonie de Clavecins, for 2 harpsichords: Andante | | • | Simphonie de Clavecins, for 2 harpsichords: Presto | | • | Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2: Andante | | • | Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2: Menuetto | | • | Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2: Allegro |
Disc 18
| • | Croesus, opera in 3 acts: Sinfonia avanti l'opera Croesus | | • | Croesus, opera in 3 acts: Act 1. Scene 1. Coro. Croesus herrsche, Croesus lebe | | • | Croesus, opera in 3 acts: Act 1. Scene 1. Recitativo. Ihr edlen Lydier | | • | Croesus, opera in 3 acts: Act 1. Scene 1. Aria. Prangt die allerschönste Blume | | • | Croesus, opera in 3 acts: Act 1. Scene 2. Aria. Hoffe noch, gekränktes Herz! | | • | Croesus, opera in 3 acts: Act 1. Scene 2. Recitativo. Du weißt, wie Cyrus' Macht | | • | Croesus, opera in 3 acts: Act 1. Scene 2. Arietta. Empfinden gleiche Schmerzen | | • | Croesus, opera in 3 acts: Act 1. Scene 3. Aria. Lieben, Leiden, Bitten, Flehen | | • | Croesus, opera in 3 acts: Act 1. Scene 3. Recitativo. Prinz Atis, wie dir ist bewußt | | • | Croesus, opera in 3 acts: Act 1. Scene 4. Aria. Wahre Treu kann nicht auf Erden | | • | Croesus, opera in 3 acts: Act 1. Scene 5. Aria. Er erweckt in meinem Herzen | | • | Croesus, opera in 3 acts: Act 1. Scene 6. Recitativo con aria. Verliebter Prinz - Sobald dich nur mein Auge sah | | • | Croesus, opera in 3 acts: Act 1. Scene 6. Recitativo. Was zeigt der Prinz, geliebter Knabe? | | • | Croesus, opera in 3 acts: Act 1. Scene 6. Aria con recitativo. Durch der Haare güldne Stricke | | • | Croesus, opera in 3 acts: Act 1. Scene 7. Recitativo. Der König will euch gerne sprechen...Terzetto. Du mußt scheiden | | • | Croesus, opera in 3 acts: Act 1. Scene 8. Duetto. Ich sä' auf wilde Wellen | | • | Croesus, opera in 3 acts: Act 1. Scene 9. Duetto. Blindes Feu'r, das mich verzehret...Quartetto. Clerida, du hällst gefangen | | • | Croesus, opera in 3 acts: Act 1. Scene 10. Aria. Traure nicht...Recitativo. Wo ich bei diesen Fackeln | | • | Croesus, opera in 3 acts: Act 1. Scene 10. Recitativo. Orsanes, mußt du denn dem stummen Atis weichen | | • | Croesus, opera in 3 acts: Act 1. Scene 11. Recitativo con aria. Hört, wie die Eulen - Liebes-Schmerzen geschlossener Herzen | | • | Croesus, opera in 3 acts: Act 1. Scene 12. Recitativo. Darf Cyrus dann den Frieden brechen?...Scene 13. Recitativo. Es ist de | | • | Croesus, opera in 3 acts: Act 1. Scene 14. Recitativo. Muß ich in meinem Herzen | | • | Croesus, opera in 3 acts: Act 1. Scene 14. Aria. Liebe, treibst du denn nur Spiel | | • | Croesus, opera in 3 acts: Act 1. Scene 15. Recitativo con aria. Seht, wie die elementschen Affen - Das Blinkern und Flinkern | | • | Croesus, opera in 3 acts: Act 1. Scene 15. Chaconne. Ballett von Harlekinen | | • | Croesus, opera in 3 acts: Act 1. Scene 16. Aria. Laß ich meine siegenden Waffen nur sehen | | • | Croesus, opera in 3 acts: Act 1. Scene 16. Recitativo. Ihr Helden, folget dann | | • | Croesus, opera in 3 acts: Act 1. Scene 16. Ballet von persischen Soldaten | | • | Croesus, opera in 3 acts: Act 1. Scene 17. Recitativo. Der Perser Schwert und Pfeile | | • | Croesus, opera in 3 acts: Act 1. Scnee 18. Ritornello con aria. So jauchzet mein fröhlicher Mut! | | • | Croesus, opera in 3 acts: Act 1. Scene 18. Recitativo. Hier ist die reichste Beute |
Disc 19
| • | Croesus, opera in 3 acts: Act 2. Scene 1. Ritornello | | • | Croesus, opera in 3 acts: Act 2. Scene 1. Duetto. Kleine Vöglein, die ihr springet | | • | Croesus, opera in 3 acts: Act 2. Scene 2. Recitativo. Orsanes treulos? | | • | Croesus, opera in 3 acts: Act 2. Scene 3. Recitativo. Seht, wie Herr Elcius ist ein Politicus...Aria. Mein Kätchen ist ein Mä | | • | Croesus, opera in 3 acts: Act 2. Scene 3. Ballett von Bauren und Bauren-Kindern | | • | Croesus, opera in 3 acts: Act 2. Scene 4. Duetto. Freundliche Liebe, wie freust du mein Herz! | | • | Croesus, opera in 3 acts: Act 2. Scene 5. Recitativo. Kann meine Treu Orsanen nicht bewegen?...Aria. Mein Elmir, meine Wonne. | | • | Croesus, opera in 3 acts: Act 2. Scene 5. Aria. Ihr stummen Fische seid dem gleich | | • | Croesus, opera in 3 acts: Act 2. Scene 5. Recitativo. Du stellest dich, als hörest du nicht | | • | Croesus, opera in 3 acts: Act 2. Scene 5. Aria. Soll dann so großer Hohn | | • | Croesus, opera in 3 acts: Act 2. Scene 6. Recitativo. Sobald ich werd' erhöht zu dieser Würde | | • | Croesus, opera in 3 acts: Act 2. Scene 6. Duetto (Eliates, Orsanes) Die Regierungslast zu tragen...Chorus. Waffen, Hilfe, Hil | | • | Croesus, opera in 3 acts: Act 2. Scene 7. Recitativo. Wir sind verlor'n! | | • | Croesus, opera in 3 acts: Act 2. Scene 8. Recitativo. Holdseligste Elmir | | • | Croesus, opera in 3 acts: Act 2. Scene 8. Aria. Liebe, sag', was fängst du an? | | • | Croesus, opera in 3 acts: Act 2. Scene 9. Recitativo. Hier bring ich Atis' Ebenbild | | • | Croesus, opera in 3 acts: Act 2. Scene 9. Aria. Alle Freude leicht verstiebet | | • | Croesus, opera in 3 acts: Act 2. Scene 10. Recitativo. Was seh ich! | | • | Croesus, opera in 3 acts: Act 2. Scene 11. Aria. Ich lieb' und bin geliebet | | • | Croesus, opera in 3 acts: Act 2. Scene 11. Recitativo. Prinzessin, darf ein Sklav' | | • | Croesus, opera in 3 acts: Act 2. Scene 11. Aria. Ist niemand bewußt | | • | Croesus, opera in 3 acts: Act 2. Scene 11. Recitativo. Wie! Darfst du nochmals solche Reden wagen? | | • | Croesus, opera in 3 acts: Act 2. Scene 11. Aria. Mir gefällt in seinem Munde | | • | Croesus, opera in 3 acts: Act 2. Scene 12. Recitativo. Hör' dann, dies ist der Dienst | | • | Croesus, opera in 3 acts: Act 2. Scene. 13. Recitativo con aria. Brill, Brill, Feder und Tinte - Kommt ihr Herren, kommt zu k | | • | Croesus, opera in 3 acts: Act 2. Scene 14. Aria. Niemand kann aus dieser Ketten | | • | Croesus, opera in 3 acts: Act 2. Scene 14. Recitativo. Knie nieder, und wirf dich zur Erden | | • | Croesus, opera in 3 acts: Act 2. Scene 14. Aria. Ihr tapfern Soldaten, frohlocket nun wieder | | • | Croesus, opera in 3 acts: Act 2. Scene 14. Entrée, Passepied der Feuerwerker |
Disc 20
| • | Croesus, opera in 3 acts: Act 3. Scene 1. Aria. Die Flamme steigt | | • | Croesus, opera in 3 acts: Act 3. Scene 1. Recitativo. Find' ich Orsan so früh...Scene 2. Aria. Weil's dem Himmel so gefällt | | • | Croesus, opera in 3 acts: Act 3. Scene 2. Recitativo. Ermin, wie ist es abgegangen? | | • | Croesus, opera in 3 acts: Act 3. Scene 3. Recitativo. Der Himmel sei gepriest...Aria. Fühlst du noch der Liebe Kerzen | | • | Croesus, opera in 3 acts: Act 3. Scene 3. Recitativo. Schönstes Kind, du irrest dich | | • | Croesus, opera in 3 acts: Act 3. Scene 4. Recitativo. Der Abgesandte bringt vom Feinde | | • | Croesus, opera in 3 acts: Act 3. Scene 4. Aria. Waffnet, was kann Waffen tragen | | • | Croesus, opera in 3 acts: Act 3. Scene 5. Aria. Elmir! wo bleibest du? | | • | Croesus, opera in 3 acts: Act 3. Scene 5. Recitativo. Prinzessin! | | • | Croesus, opera in 3 acts: Act 3. Scene 5. Aria. Mich vergnüget dieses Höhnen | | • | Croesus, opera in 3 acts: Act 3. Scene 6. Recitativo. Unsinniger, find ich dich hier? | | • | Croesus, opera in 3 acts: Act 3. Scene 6. Recitativo. Mich Unglückseligen...Aria. Wertes Glück, verlaß mich nicht! | | • | Croesus, opera in 3 acts: Act 3. Scene 7. Ritornello con aria. Soll des Goldes Glanz recht glimmen | | • | Croesus, opera in 3 acts: Act 3. Scene 7. Recitativo. Prinzessin! | | • | Croesus, opera in 3 acts: Act 3. Scene 7. Aria. Sollte der mich herzlich lieben | | • | Croesus, opera in 3 acts: Act 3. Scene 8. Arietta. Zarte Jungfern | | • | Croesus, opera in 3 acts: Act 3. Scene 8. Recitativo. Hier, wey je nich dat neye Lied | | • | Croesus, opera in 3 acts: Act 3. Scene 8. Aria. Schmink', ein Kleinod dieser Zeit...Recitativo. Hier hab ich Schnupftobak | | • | Croesus, opera in 3 acts: Act 3. Scene 9. Duetto. Nein, nein, nun will ich nicht mehr lieben | | • | Croesus, opera in 3 acts: Act 3. Scene 10. Recitativo. Prinz, weißt du, daß Ermin mit mir von Liebe spricht? | | • | Croesus, opera in 3 acts: Act 3. Scene 10. Aria. Dieses Schmähen, das ich leide | | • | Croesus, opera in 3 acts: Act 3. Scene 12. Aria. Götter, übt Barmherzigkeit! | | • | Croesus, opera in 3 acts: Act 3. Scene 13. Recitativo. Fort, führt ihn auf den Scheiterhaufen! | | • | Croesus, opera in 3 acts: Act 3. Scene 13. Recitativo. Umsonst, macht neues Feuer | | • | Croesus, opera in 3 acts: Act 3. Scene 13. Aria. Solon, weiser Solon | | • | Croesus, opera in 3 acts: Act 3. Scene 13. Recitativo. Welch eine Gottheit ruft er an? | | • | Croesus, opera in 3 acts: Act 3. Scene 13. Coro. Glückliche Stunden, erfreulicher Tag |
Disc 21
| • | Keyboard Trio in G major ('Gypsy Trio') H. 15/25: Andante | | • | Keyboard Trio in G major ('Gypsy Trio') H. 15/25: Poco adagio | | • | Keyboard Trio in G major ('Gypsy Trio') H. 15/25: Presto | | • | German dances (6) for orchestra, K. 509 | | • | Cello Concerto No. 1 in C major, H. 7b/1: Moderato | | • | Cello Concerto No. 1 in C major, H. 7b/1: Adagio | | • | Cello Concerto No. 1 in C major, H. 7b/1: Finale Allegro molto | | • | Symphony No. 38 in D major ('Prague'), K. 504: 1. Adagio - Allegro | | • | Symphony No. 38 in D major ('Prague'), K. 504: 2. Andante | | • | Symphony No. 38 in D major ('Prague'), K. 504: 3. Finale. Presto |
Disc 22
| • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Kyrie. Kyrie | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Kyrie. Christe | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Kyrie. Kyrie | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Gloria in excelsis Deo | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Laudamus te | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Gratias | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Domine Deus | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Qui tollis | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Quoniam | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Gloria. Cum sancto Spiritu | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Credo. Credo in unum Deum | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Credo. Crucifixus | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Credo. Et resurrexit | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Credo. Et vitam venturi | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Prélude religieux (pendant l'Offertoire) | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Ritournelle | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Sanctus | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: O salutaris | | • | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Agnus Dei |
Disc 23
| • | Sonata a quattro (String Symphony) No. 4 in B flat major: Allegro vivace | | • | Sonata a quattro (String Symphony) No. 4 in B flat major: Andante | | • | Sonata a quattro (String Symphony) No. 4 in B flat major: Allegreto | | • | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: Seit ich ihn geschen | | • | Frauenliebe und -leben, song cycle for voice & piano, Op. 42: Er, der Herrlichste von allen |
|
| Similar Items:
| |
| Editorial Reviews:
Album Description
To celebrate its 50th Anniversay, harmonia mundi presents 50 masterworks in the development of Western classical music, performed by undisputed masters in their field. This set features over 36 hours of music (all complete works, no excerpts) of music in audiophile-quality sound, elequently packaged in a deluxe boxed set and offered at a very low price. Whether you are an inquisitive novice or a discerning connoisseur, you will be thrilled to experience the sonic triumphs of the world's most innovative independent label.
|
| Customer Reviews:
Showing reviews 1-5 of 6
AN AMAZING COLLECTION OF HIGH QUALITY PERFORMANCES! ; DEAL OF THE CENTURY! January 3, 2009
G. Engler (The Frigid Northeast)
18 out of 18 found this review helpful
I sat on the fence for a long time before purchasing this Harmonia Mundi 50th anniversary box set. Even though it was reasonably priced, it was still a lot of money to lay out all at once for CDs of (mostly) unknown works performed by unknown (ie, not famous) artists. Would I actually listen to all of this new music? Would I find it interesting enough to listen to more than once? Would it broaden my musical horizons?
The answer to all three questions was Yes, Yes, and YES!
In short, this is an absolutely amazing box set. If you have been listening to classical music for many years, or decades, and are ready to broaden your outlook/knowledge you won't go wrong. The works themselves range from those you have probably heard, or know to some extant (Bach / Matthew'sPassion, Art of Fugue, Chopin Ballads, Schubert Sonata D960, Fantasy in C etc) to those you are probably not as familiar with (Purcell/ King Arthur) to those that are completely unfamiliar (Keiser / Croesus). You will find them all enjoyable and enlightening.
In the case of the known works, some of the performances are revelatory. The aforementioned Bach pieces for example opened my ears to new interpretations that astounded me. Herreweghe's first recording of Matthew's Passion was a gorgeous, soulful interpretation of this masterwork that has me seeking out his other performances. Fretwork's interpretation of the Art of Fugue was nothing but delightful, and complements the versions on the shelf featuring piano, string quartet and organ (you know who) without replacing them.
The recordings themselves are state of the art. Its rare to find digital recordings with this degree of warmth, presence, and three dimensionality. A joy to listen to.
In conclusion - this is a set I will be holding on to, and returning to again and again. (My wife, a professional mezzo, commented on the high quality of the vocalists in several of the recordings). At less than $3 per disc (less if you can find it used) this set is quite simply the deal of the century.
I may now even splurge for the Deutsch Harmonia Mundi set!
Massive box set includes numerous delights April 21, 2008
Paul Allaer (Cincinnati)
16 out of 19 found this review helpful
Let me state upfront that I did not buy this set as such. I received it as a gift when I recently made a pledge to my local classical music station (WGUC here in Cincinnati) during their pledge drive. Imagine my good fortune, and surprise, when this arrievd at my house!
"Harmonia Mundi 50" (29 CDs, plus 1 CD-Rom; about 36 hours of music) is so massive and overwhelming that I will admist I haven't yet listened to every single piece of music yet. I have been picking out and listening to CDs that immediately appealed to me, either because of the composer, or the orchestra/artist playing it, or the venue where it was recorded (there are several CDs that have a Belgian connection, and I am from Belgium originally). But rest assured, I will make my way through all of the other CDs as well, as I am intruiged to discover what else is in here.
In all, this is quite the treat for any fan of classical music. Would I have bought it as such? I don't know. I've not seen this set in any music store that I go to regularly as this is an import, but if you do see it (or find it here on Amazon), I highly recommend it, you won't be disappointed.
 eclectic review March 18, 2008
Nathan Rich (Harbour Grace, Newfoundland, Canada)
1 out of 3 found this review helpful
I have found this interesting and informative. I was unfamiliar with most of the performers and with some of the content. I am pleased to have by this route broadened my experience. I recommend it.
Fantastic Value December 17, 2007
Voyager
4 out of 7 found this review helpful
Wonderfully varied selection of works, a treasure trove - everyone will discover something new, about 90% was new to me. The performances and sound are consistently outstanding.
Gorgeous Early Music for Amazing Value December 4, 2007
David Evenson
22 out of 27 found this review helpful
Harmonia Mundi has taken highlights from 50 years. While I love classical music, there are a lot of selections that I had not heard. I have been thoroughly surprised to enjoy 98% of the music on the 30 CDs. There are a couple of "editing" glitches where a track begins or ends more abrupt than usual. Nothing too serious. Overall, the quality is superb though there is at least one selection where I did not appreciate the recording quality. I've gone through all CDs about twice now and I'm VERY glad I bought this.
Showing reviews 1-5 of 6
|
|
|
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME. Copyright 2008 DVDonsale.com | |
