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Kiss Me Deadly | 
 enlarge | Director: Robert Aldrich
Actors: Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, Wesley Addy
Studio: MGM (Video & DVD)
Category: DVD
List Price: $14.98
Buy New: $3.57
You Save: $11.41 (76%)
New (23) Used (21) Collectible (1) from $3.54
Rating:  61 reviews
Sales Rank: 11326
Format: Black & White, Closed-captioned, Dvd-video, Letterboxed, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Subtitled), Spanish (Subtitled)
Rating: Unrated
Region: 1
Aspect Ratio: 1.66:1
Number Of Discs: 1
Running Time: 106 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.4 x 5.1 x 0.6
ISBN: 0792850114
UPC: 027616862914
EAN: 9780792850113
ASIN: B00005AUK9
Theatrical Release Date: May 18, 1955
Release Date: June 19, 2001
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: ******BRAND NEW****** ** Over 1.5 million orders shipped worldwide and more than 500 000 items in stock, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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Amazon.com essential video
Kiss Me Deadly starts off with a bang--a young woman (Cloris Leachman) in bare feet and a trench coat runs along a highway, frantically trying to flag down help. In desperation, she finally throws herself into traffic, and the car she stops belongs to detective Mike Hammer. The pace never lets up--we're not even 15 minutes into the movie and there's already been a murder, a mysterious letter, an attempt to kill Hammer, and, of course, a warning to just stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. The film is exciting, about as dark as a noir can get, and full of skewed camera angles and mysterious whose-shoes-are-those shots. At the center, of course, is Mike Hammer, a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon. Hammer knows his opera singers as well as his amateur prizefighters, and he makes the ladies swoon, but he's far from a conventional hero. In fact, he's rather emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag. ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?") Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. Kiss Me Deadly is just terrific. Stop reading this review and watch it already. --Ali Davis
Description
A brilliant film noir classic based on Mickey Spillane's bestseller, Kiss Me Deadly is masterfully directed by Robert Aldrich (The Dirty Dozen) and hailed as one of his best (Leonard Maltin). This DVD edition of Kiss Me Deadly features the fully restored original endingwhich contains over one minute of crucial footage that clarifies decades of false interpretations. In order to illustrate the vastly different impressions left by each version, the altered/shortened ending has been included as well. When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates theonly way he can: by hitting first and asking questions later. Cutting a brutal swath through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!
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| Customer Reviews: Read 56 more reviews...
Taking The Hammer to L.A. November 10, 2008
LuvNJustice (NYC, USA)
2 out of 2 found this review helpful
Mike Hammer is transplanted to the left coast in this overrated but entertaining cult classic. Rather than being a two-fisted gumshoe, here Mike does sleazy divorce work and practically pimps out Velda. The picture starts off strong, but sinks into a very convoluted plot. The thrills come from the ahead-of-it's-time violence -- some of the most sadistic of which is handed out by Hammer. The picture also takes the cynisism of 50s noir and extends that to the political climate with it's much vaunted apocalyptic ending. This seems to lay the groundwork for 70s thrillers like Parallax View and Three Days of the Condor with their paranoia and suspicion.
Meeker's okay, but the picture might play better if the other women were as good as Cloris Leachman in the opening scenes.
 Kiss Me Deadly is Film Noir at Its Best. October 13, 2008
G. Merritt (Boulder, CO)
2 out of 2 found this review helpful
American film director Robert Aldrich (1918-1983) is synonymous with great films like What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), and The Dirty Dozen (1967). Based on the Mickey Spillane pulp mystery bestseller of the same name, Aldrich's 1955 film noir classic, Kiss Me Deadly, stars Ralph Meeker as lowlife Los Angeles gumshoe, Mike Hammer, on a quest for "something big." The fact that this B movie was the inspiration for later films including Spielberg's Indiana Jones and the Raiders of the Lost Ark (1981), Alex Cox's Repo Man (1984), Tarantino's Pulp Fiction (1994), and David Lynch's Lost Highway (1997) is reason enough to add Kiss Me Deadly to one's film collection.
As film noir, Kiss Me Deadly is so dark it is arguably nihilistic. It opens with a young woman, Christina (Cloris Leachman), hitchhiking in her bare feet and a trench coat along a lonely road. After catching a ride with hard-boiled detective Mike Hammer, she is tortured to death by thugs fifteeen minutes later. Soon anti-hero Hammer finds himself outside the comfort zone of the sleazy divorce cases he typically investigates, and at the center of a international intrigue. The darkly-sinister, fast-paced thriller ends with an over-the-top atomic blaze. Meeker carries the film, and this fully-restored DVD edition features both the original ending and the alternate ending of Kiss Me Deadly. Highly recommended.
G. Merritt
Film noir, yes, Mickey Spillane, no May 12, 2008
L. Cabos (planet earth)
I admit to liking this movie. Spillane hated it and what Aldrich did to the character of Mike Hammer, turning from a violent angel of retribution to simply a violent and not too bright thug. The ending (or endings if you like) have to be the strangest ever for a film noir.
 Influential April 27, 2008
Scott M. Fedor (Chicago)
1 out of 4 found this review helpful
I will not talk about the plot, as the story took some interesting turns that came as a pleasant surprise. The movie drags at points, but is fun overall. The look of the film has clearly been a big influence on many films - from Lost Highway to Repo Man and Raiders of the Lost Ark, but it is the slightly surreal night scenes that have the most impact and constantly reminded me of the works of David Lynch.
The dvd print is average quality, a little murky at times. The dvd itself is bare bones with just a trailer and an alternate ending, which is mostly the same but truncated.
Pulp Fiction December 3, 2007
blockhed (UK)
1 out of 3 found this review helpful
A lot of pulp, and a lot of fiction. At least I discovered where QT got one of his ideas from, and understood how he developed the pulp as well as the fiction. But the uniquely interesting feature of this film is the ultra-basic persona of Mike Hammer, who seems to me unlike any other central character, good or bad, in any other film, play or novel. He's not really bad, but certainly isn't good, either: he just is. He's not entirely stupid, but you couldn't call him clever. He doesn't survive because he's smart: he just survives. Also, he doesn't really know what he's doing, he merely figures that he's on to something big, and wants to hunt it down. When given a truth drug, it doesn't work, because he doesn't know anything, and isn't interested in truth anyway. There's something new, but familiar about this individual. It's as though he were the id beneath the id. A sort of fundamental impulse underlying all life, enabling it to function, regardless. Totally unsentimental, only generous if it doesn't cost him anything except a few greenbacks, motivated by revenge sometimes, in a limited sort of way. The story, such as it is, is vividly shot. Any acting is based more on the simple physical appearance of the assorted thugs and molls. It's a strange and memorable production, but I couldn't honestly call it great.
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