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The New York Ripper | 
 enlarge | Actors: Cosimo Cinieri, Josh Cruze, Barbara Cupisti, Alexandra Delli Colli, Daniela Doria
Studio: Starz / Anchor Bay
Category: DVD
List Price: $29.98
Buy New: $22.91
You Save: $7.07 (24%)
New (4) Used (10) from $9.98
Rating:  52 reviews
Sales Rank: 86255
Format: Anamorphic, Collector's Edition, Color, Dolby, Dvd-video, Widescreen, Ntsc
Language: English (Original Language)
Rating: Unrated
Region: 0
Aspect Ratio: 2.35:1
DVD Layers: 1
DVD Sides: 1
Picture Format: Anamorphic Widescreen
Number Of Discs: 1
Running Time: 85 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.5 x 5.1 x 0.6
UPC: 013131089790
EAN: 0013131089790
ASIN: B00000K0DV
Theatrical Release Date: 1982
Release Date: August 24, 1999
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: THIS OUT OF PRINT DVD COMES IN NEW/MINT/NEVER WATCHED CONDITION (it is not shrinkwrapped). THIS DVD IS A NOT A BOOTLEG OR CHEAP IMPORT. FAST SHIPPING! WE SHIP WORLDWIDE!
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| Editorial Reviews:
Amazon.com
Italian shock maven Lucio Fulci directed this effort, undoubtedly one of his seediest and most offensive films. A serial killer prowls the streets of New York, preying strictly on women and butchering them in the most sadistic ways (usually starting at the crotch). The cops are always several steps behind the killer, who uses a Donald Duck voice to taunt them (and his prospective victims) over the phone. It's all pretty misogynistic, violent, and brutal, and adds up to an unsavory viewing experience. That said, the plot hangs together fairly well (better than in much of the giallo genre), and Fulci's camera work and editing are topnotch. The director's sense of color and shot composition are in line with much of contemporaries Dario Argento and Mario Bava's work (the color red in particular dominates much of the movie). As with Argento's work, an unassuming woman, caught up in circumstances, turns out to be the film's heroine. Also, it's interesting that both in this film and in Don't Torture a Duckling, Fulci uses Donald Duck as a sort of bizarre totem of shattered innocence and tragedy. Still, Fulci uses his camera here in such a leering, lascivious way that it reinforces the film's oppressive sleaziness and sadism. Fans of Italian horror won't be disappointed with The New York Ripper, but be advised that the movie's overriding unpleasantness makes it an acquired taste at best. --Jerry Renshaw
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| Customer Reviews: Read 47 more reviews...
 Don't get tortured by this duckling July 1, 2008
C. Christopher Blackshere (blind to reality)
5 out of 5 found this review helpful
This duck don't give a f#$%! We've got lots of blood, nudity, and a Donald Duck sounding slasher. Just some nice trashy cinema for the fellas. Nothing too deep, just high impact violence and sex like only Fulci can give you.
Lots of rippin quack quack
Lots of slashin quack quack
Sleaze quack please quack don't hold back
Brutality in all its shocking beauty
 Solid, but flawed November 11, 2007
Dave. K (Staten Island, Ny)
3 out of 3 found this review helpful
The New York Ripper is probably the most brutal movie in Lucio Fulci's career; The New York Ripper doesn't feature the gore Fulci was known for at the time, but this is probably his most sadistic movie. The New York Ripper is gory at times, but that isn't what makes it brutal; the kill scenes are very disturbing at times. The scene when the killer slices the girl up with a razor is cringe worthy. The glass bottle to the crotch is deeply disturbing.
Like I said the violence here is quite brutal in other Fulci flicks the gore is over the top, but in a good way it makes the movie even more fun. It's hard to take the violence too serious when the blood starts shooting out in what seems like gallons. But The New York Ripper on the other hand has a real sadistic maybe even mean spirited violence the gore is plenty, but nothing like movies like Zombi 2 or The Beyond.
Horror films are often labeled misogynistic and it might be hard to argue against that with The New York Ripper. Do I think that is the case with the movie? No not at all, but the violence against the women in this movie is so raw it's hard to argue that the movie isn't.
The New York Ripper is one of Fulci's movies that sparks great debates among his fans; some think it's one of his best others say it's one of his worst. As much as I enjoyed The New York Ripper it's not without its flaws. The biggest problem is the sexual content of the movie. Sex in movies does not bother me at all, but here it just seems it was thrown in there to help reach more of an audience. Honestly when all was said and done a lot of these scenes were not needed and could have been edited way down.
None of the sex scenes really add to the plot and had they been cut down I think The New York Ripper would have moved at a much better pace, but hey it's in the movie and nothing can be done and at least the women are hot. I don't mind sex and nudity, but in my opinion it does sort of slow the pace down.
The screenplay was written by Gianfranco Clerici, Vincenzo Mannino, Lucio Fulci and Dardano Sacchetti. The screenplay is your basic Giallo nothing here really stands-out, overall the script isn't bad, but I don't think we watch Fulci flicks for their brilliant screenplays. All the writers here should be known to fans of Italian cinema. Clerici and Mannino were writers on House by the Edge of the Park and Clerici was a writer on the infamous Cannibal Holocaust. Lucio Fulci and Dardano Sacchetti have teamed up quite a few times and I have always been pleased with the outcome. The New York Ripper had a good writing team, some things work and others don't.
As director Lucio Fulci, is able to craft some solid scenes and create some pretty good tension. Like I stated earlier in my review the sex scenes do slow the pace down, but Fulci does a pretty good job here and this one is mostly coherent. Often in 80s Fulci things sort of happen with little or no explanation. But, for the most part The New York Ripper makes sense. This really was Fulci in mean mode; the kill scenes are very brutal. Like I said the gore level is good, but nothing like some of his other flicks, but what they lack in gore they make up for in brutality.
At the time this movie was made, New York wasn't the safest city. It was filled with crime and a lot of sleaze and Fulci is able to capture all that in this movie. What I think is the biggest problem with The New York Ripper is the killer talking in a duck voice and even quacking like one. Lucio Fulci manages to put together some great moments filled with tension, but than the quacking starts and well it's a tension killer. It's hard to take a killer talking in a duck voice too serious and when he starts quacking it can be difficult to keep a straight face. The reason for this is explained at the end and it does make sense, but it is a bit silly and does break up the tension.
The New York Ripper is also kind of tragic; the finale is quite sad and despite some of the silliness The New York Ripper is a brutal movie and the final minutes are quite tragic, but very fitting.
In closing, despite the flaws of The New York Ripper it is a solid Giallo; while not the best movie of Fulci's career it's an enjoyable one. If you are a fan of Lucio Fulci it's worth checking out. But those of you who don't like his work, I highly doubt this movie will change your opinion of him.
Fulci's sickest and sexiest September 8, 2007
M. (Mass.)
1 out of 1 found this review helpful
New York Ripper is very different from Fulci's other movies and is kind of a return to his giallo/slasher roots. It is known for being Fulci's most depraved and violent movie, especially towards women. It is a very strange and dark slasher filled with sex and sleaze that takes place in New York and is up there as one of my favorite Fulci flicks.
The cinematography and story are excellent in this one, and even though the thought of a killer with a duck voice is kind of cheesy, there is a very good reason for it and I think it's pulled off really well. I really can't understand all the bad reviews for this one, I think it's one of the best giallo/slashers I've ever seen and deserves a way higher rating then 3 stars.
Gore includes, but is not limited to......vagina slashing, nipple slashing, eyeball slashing, stomach slashing, booby slashing, slashing, slashing and more slashing.
There is also some soft-core thrown in for good measure, full female frontal nudity and one scene (my favorite scene) involving a toe and a womans private area.
If your a hard-core Fulci fan like me, I suggest you look past the negative reviews and pick this one up, you will not be dissapointed.
 If you like your horror really dark and weird, then this is for you February 1, 2007
Joseph P. Menta, Jr. (Philadelphia, PA USA)
0 out of 2 found this review helpful
Although the Italian horror/slasher genre of the 1970's includes many films that aren't exactly Disney-esque, I found "The New York Ripper" to be a particularly unpleasant ride. Lurid violence, depressing cinematography (90% of the film is dark and grainy), and choppy (no pun intended) storytelling made this more of an ordeal than the guilty pleasure I expected. Check out "Strip Nude For Your Killer" and "The Case of the Bloody Iris" for more polished, entertaining examples of the "giallo" form. That is, unless you really, really want to see a movie about a serial killer who quacks like a duck.
 Not by far April 30, 2006
Zeger Desmedt
2 out of 6 found this review helpful
Even if you're a big Lucio Fulci fan you can easily skip this one.
On the other hand... this movie features some of the coolest duck sounds in the history of film making.
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