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Three Days of the Condor | 
 enlarge | Director: Sydney Pollack
Actors: Robert Redford, Faye Dunaway, Cliff Robertson, Max Von Sydow, John Houseman
Studio: Paramount
Category: DVD
List Price: $9.98
Buy New: $4.61
You Save: $5.37 (54%)
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Rating:  102 reviews
Sales Rank: 2139
Format: Anamorphic, Closed-captioned, Color, Dvd-video, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled)
Rating: R (Restricted)
Region: 1
Aspect Ratio: 2.35:1
DVD Layers: 1
DVD Sides: 1
Picture Format: Anamorphic Widescreen
Number Of Discs: 1
Running Time: 117 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: PARD088037D
ISBN: 0792156285
UPC: 097360880373
EAN: 9780792156284
ASIN: 6305511055
Theatrical Release Date: 1975
Release Date: August 17, 1999
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New! Factory Sealed! US Retail DVD! Customer service is our #1 priority. Thank you for choosing MediaThrill.
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Amazon.com essential video
Robert Redford and Sydney Pollack continued their longtime collaboration (the actor and director have worked together on Jeremiah Johnson, The Way We Were, The Electric Horseman, and Out of Africa, among other films) with this taut spy drama. Redford plays a reader for U.S. intelligence who becomes a hunted man after he is not among the victims of a mass murder of his colleagues. Faye Dunaway does solid work as the frightened and mystified woman whom he forces to conceal him, and Max von Sydow is appropriately cool as a professional assassin. That same, sustained tone of danger and expectation that made Pollack's The Firm so much fun can be found in this 1975 thriller, albeit with an appropriate dose of post-Watergate paranoia. --Tom Keogh
Product Description
Studio: Paramount Home Video Release Date: 04/11/2006 Run time: 117 minutes Rating: R
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| Customer Reviews: Read 97 more reviews...
 Great thriller, OK DVD December 3, 2008
S. Pactor (San Diego, CA United States)
Sorry- are we reviewing the film or the DVD of the film? Unarguably a classic- the dvd I have is sad with nary a bonus feature. This movie could use a DVD do-over to take advantage of its continued popularity.
 After a remarkable tension build-up, it too light an ending October 31, 2008
Gautam De (New Jersey, USA)
0 out of 2 found this review helpful
***** Contains spoiler ******
It's a work which has both very good and mediocre qualities. The build-up of the plot is just smashing. With well-paced action and competent acting, it's a remarkable work to watch.
Problem first erupts little when Redford kidnaps the lady. It is very difficult to believe that a lady would like to be part of the deadly problem Redford is in for just one night charm, no matter how lonely she is.
But the script does not do justice to itself when it converts a book reader into a first class professional spy to start wire tapping, entering other's home in clandestine, threatening people at gun point.
The justification to kill 7 of CIA's own people are all too wishy-washy as well.
Summarily, the good compact work of first half has been liquidated in the second because of a lose script.
 A Classic Thriller and One of Redford's Best October 18, 2008
James D. Best
1 out of 1 found this review helpful
This is my favorite 70's film. It has a superb script, great acting, and is tautly edited. When viewed today, it does not come across as a period piece, but as a good story well told. Three days of the Condor is one of those rare movies that do the book justice. (By the way, if you like the film, try the novel Six Days of the Condor. You get three more days.)
This is a timeless movie with great production values and all serious film collectors should have Three Days of the Condor in their home library.
good movie but.... September 13, 2008
Steve Wilson (boise, id)
0 out of 1 found this review helpful
slightly dated as spy thrillers go. good movie, but copy has bad spot. effectd area is not crucial to plot but is annoying. i have seen this bad spot on another copy. so i think this was a transfer problem.
 The Spirit of November September 13, 2008
Jay Dickson (Portland, OR)
0 out of 2 found this review helpful
When THREE DAYS OF THE CONDOR was released in the mid-70s it was almost certain to be a hit because its two stars, Robert Redford and Faye Dunaway, were about the biggest two male and female marquee names in the country. The opening scenario, where Redford returns from his lunch hour to see all of the staff in his Manhattan office (which at first glance seems to be a literary society) gunned down was considered quite sensational in its time and generated quite a lot of word of mouth.
The director, Sydney Pollack, doesn't seem much idea as to what to do with the conspiracy thriller genre, however: there's not much excitement, and even the famous opening scenario might have been more chilling had we seen only what Redford sees when he returns from getting his lunch (instead, we see the killers go through the office gunning everyone down one by one). Pollack seems much more interested in his stars than his story, and Faye Dunaway, as a woman Redford kidnaps while running from the killers, actually does some of her most interesting work in her career with her surprisingly small part. Sometimes called "the last of the great movie stars," Dunaway often played larger-than-life roles during the height of her stardom that seemed worthy of a goddess rather than of an actress. Here, even though the screenplay ridiculously calls for her to play nothing less than the spirit of the month of November ( you'll have to see the actual movie to see what that is supposed to mean), she does some very nice smaller-scale work and has some lovely naturalistic moments, particularly in a nifty little scene where Redford forces her at gunpoint to take a call from her boyfriend. Redford does not fare nearly so well, in part because his hairdo seems more of the star of the piece than even he does: expertly arranged and dyed, it never seems to move even when he's in furious pitched kung-fu battle with an evil mailman. His limitations as an actor are also brought home in his scenes with Cliff Robertson, who is so much more natural with his line readings that he seems in a different league altogether. Even though the budget for this was extremely high for the period, the Dave Grusin score is embarrassingly measly and cheap-sounding; it sounds more appropriate for the underscoring of a Quinn-Martin detective series of the time than for a big-budget film. Also starring John Houseman, who plays a CIA bigwig exactly as if he were playing Professor Kingsfield again (even down to the same bow-ties, tweed jackets, and vests).
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