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 enlarge | Actors: Richard Collier, Carol Deluise, Dom Deluise, Liam Dunn, George Furth
Studio: Warner Home Video
Category: DVD
List Price: $19.98
Buy Used: $1.76
You Save: $18.22 (91%)
New (15) Used (63) from $1.76
Rating:  335 reviews
Sales Rank: 21657
Format: Anamorphic, Closed-captioned, Color, Dvd-video, Full Screen, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), French (Subtitled), Spanish (Subtitled), Spanish (Dubbed)
Rating: R (Restricted)
Region: 1
Aspect Ratio: 2.35:1
DVD Layers: 1
DVD Sides: 2
Picture Format: Array
Number Of Discs: 1
Running Time: 93 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.3 x 5.6 x 0.5
ISBN: 0790731487
UPC: 012569100121
EAN: 9780790731483
ASIN: 0790731487
Theatrical Release Date: February 7, 1974
Release Date: June 25, 1997
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
 AWESOME DVD October 24, 2008
Roger Joseph (PA, USA)
IF you have never seen it. BUY IT. This is a classic that I am sure at some time, some liberal book burning bureaucrat will want no one to see. A light hearted, side splitting comedy from Mel Brooks.
Blazing Saddles Movie October 21, 2008
B. Warne (Colorado)
This is a great classic movie. My kids who are 18 and 20 years old, love this movie.
 Blazing Saddles - Blu-ray Info October 15, 2008
LGANS316 (Tokyo Japan)
2 out of 2 found this review helpful
Version: U.S.A / Region Free
Aspect ratio: 2.40:1
VC-1 BD-25
Average video bit rate: 23.93 Mbps
Running time: 1:32:51
Movie size: 18,60 GB
Disc size: 22,97 GB
DD AC3 5.1 640Kbps English
DD 1.0 Spanish / French-Quebec
Subtitles: English SDH / English / French / Spanish
#Audio Commentary
#Deleted Scenes (10 min)
#Black Bart TV Pilot (25 min)
#Back in the Saddle (28 min)
#Intimate Portrait: Madeline Kahn (4 min)
#Theatrical trailer
Trailblazing "Saddles" - Greatest Mel Brooks Film of All Time October 11, 2008
Justin Heath (Fort Erie, Ontario, Canada)
3 out of 3 found this review helpful
A few years ago, Broadway producers decided to adapt a Mel Brooks comedy and made a bundle. Could it happen again with 'Blazing Saddles?' The movie already has four great songs; a half-dozen more of similar caliber would make for a strong score. 'Blazing Saddles' has a ready-made cast of over-the-top characters, strong audience identification, and some minor problems for a theatrical production (like blowing up the phony Rock Ridge) which are easily overcome.
But 'The Producers' was a cult film that never made it to Main Street and needed the second act of a Broadway musical to give it a place in popular culture. 'Blazing Saddles' could never open again as big as it did in 1974. In the summer of Watergate and Patty Hearst, here was one bit of madness people could enjoy. And it wasn't just random kookiness, but a film that broke barriers and courted controversy like no other major-release film of its time. No other movie had characters that were basically likable if stupid throwing around the 'N' word before. In fact, it hasn't happened since (and I doubt it would on Broadway today.) The whole notion of white people and black people living together was not new, but the approach of 'Blazing Saddles' was certainly new. In order to live together, we have to laugh together first. The only way this film was not a trailblazer was in that it blazed trails untaken by any film that came after.
Was Cleavon Little then a civil rights pioneer for the 1970s, in a way Martin Luther King and Malcolm X were the decade before? He's very good, bringing a lightness to the role that's equal parts Shaft and Bugs Bunny. Richard Pryor was one of the film's writers and Brooks' first choice for Sheriff Bart, but Pryor wouldn't have played the role in the same smooth way. Little is an amiable actor, one step ahead but never cocky about it. He makes for a sympathetic center, and he is flash in those corduroy threads.
Little didn't work much after 'Blazing Saddles,' which makes no sense. It was only the highest-grossing Western of all time, and Little was the lead actor in it. Maybe institutional racism wasn't the sole cause. After all, he had a distractingly rock-solid cast around him, particularly Harvey Korman as Attorney General Hedley Lamarr. Growing up in the '70s, it was a shock the first time I saw the unedited 'Blazing Saddles' with all the casual vulgarity spewing from the mouth of Tim Conway's slapstick buddy on the ultra G-rated 'Carol Burnett Show.' 'You will be only risking your lives, whilst I will be risking an almost-certain Academy Award nomination for Best Supporting Actor,' he tells his gang before they ride off to pillage Rock Ridge. If only the Academy didn't penalize comedies so, that might have been true.
Madeline Kahn did get nominated for Lili Von Shtupp, and deserved her Laurel and Hardy handshake for sure. Her Baba Wawa meets Marlene Dietrich performance is a comic masterpiece, and it takes guts to wear that dead-weed lingerie in which she performs 'I'm So Tired.' Slim Pickens (Taggart), Burton Gilliam (Lyle), Dom DeLuise (Buddy), and Brooks himself as 'the Gov' all shine, and the level of comic acting remains high all the way to the smallest roles, like the guy playing Hitler ('They lose me right after the bunker scene') and the cowboy who chews gum in line ('I didn't know there was gonna be so many people!')
Gene Wilder is a little young and ironic for the bitter ex-gunslinger known as the Waco Kid, but he grows into the role well enough. Certainly he was in tune with what Brooks was doing more than Gig Young or Dan Dailey would have been (Brooks' earlier choices for the part, with Young making it all the way to the first day's shooting before it was discovered he wasn't just acting the part of a hopeless drunk.)
'Blazing Saddles' is one of the most significant video titles because it rewards repeat viewings so well. The wholeness of the film's comic spectacle is too dense to be absorbed in one viewing, especially when you are laughing too hard. It's a cultural landmark, yes, but it's even funnier now than it was 30 years ago, one of the funniest comedies that exist today. Making it into a musical now would almost be demeaning, but I suspect it will happen anyway.
Top notch, amazingly good comedy September 22, 2008
Chris Wood (UK)
This is a fantastic film! It's incredibly funny, very rude and has some great performances!
There are brilliant one liners, great setpieces and some wonderfully surreal humour.
A first class comedy - a must see.
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